Maya中Arnold影视级渲染技术训练视频教程

本Maya教程是由AE资源素材社区整理出品的Maya中Arnold影视级渲染技术训练视频教程，时长：1小时59分，大小：1.8 GB，MP4高清视频格式，教程使用软件：MAYA，AND ARNOLD，附源文件，共5个章节，作者：Charles Chorein，语言：英语。

Autodesk Maya是美国Autodesk公司出品的世界顶级的三维动画软件，应用对象是专业的影视广告，角色动画，电影特技等。Maya功能完善，工作灵活，易学易用，制作效率极高，渲染真实感极强，是电影级别的高端制作软件。Maya声名显赫，是制作者梦寐以求的制作工具，掌握了Maya，会极大的提高制作效率和品质，调节出仿真的角色动画，渲染出电影一般的真实效果，向世界顶级动画师迈进。Maya 集成了Alias、Wavefront 最先进的动画及数字效果技术。它不仅包括一般三维和视觉效果制作的功能，而且还与最先进的建模、数字化布料模拟、毛发渲染、运动匹配技术相结合。Maya 可在Windows NT与 SGI IRIX 操作系统上运行。在目前市场上用来进行数字和三维制作的工具中，Maya 是首选解决方案。

Maya参与制作的电影有：法国国宝级艺术家Jean Giraud，他原创的影片有《第五元素》、《异形》、《星战》等，并参与制作了《沙丘魔堡》、《深渊》等经典科幻电影；导演Glenn Chaika，著名动画片导演，曾在迪斯尼担任《小美人鱼》的动画师，并执导《拇指仙童历险记》、《花木兰II》等影片；模型监制Wayne Kennedy是曾参与过《隐形人》、《星球大战》、《龙卷风》、《黑衣人》、《木乃伊》的模型师；动画监制Bob Koch和Kelvin Lee是担任《 玩具总动员》、《精灵鼠小弟》等影片的资深动画师；特效指导Manny Wong曾担任《后天》的特效总监，并参与制作了《狂莽之灾I》、《星河战舰》、《巨蟒》、《魔女游戏》等影片。

This course, from professor and VFX artist Charles Chorein dives into methods for look development using Maya and Arnold. It has been updated for Maya 2019 and recent releases of Arnold.
Charles Chorein is a Lead LookDev/Lighting at MPC with 10 yearsof experience. He has been working in London since 2009 and has achieved various movies such as The Hobbit, Prometheus ,The Hunger Games 2, Superman: man of steel, Harry Potter 7, Pirate ofthe Caribbean 4, Despicable Me and recently Terminator Gensys. He is currently involved in the next The Jungle Book from Disney.
course syllabus
Class 1: Layout
The scene is started with the asset in the default position, the layout is set up in Maya, and the default lighting setup is prepared with a grey and chrome sphere.
Class 2: Initial lighting
Before starting, we will check our model and make sure everything is ready to go (UV’s, UDIMS, Scale of the texture). Preparing our HDRI in Nuke adding our moonlight and get some direction lighting and create a grey pass.
Class 3: Creating shaders and attribute overrides
The render passes are set up with the attribute override and material override rules in Maya 2019. Understanding the difference between displacement in Arnold the Z-Displacement from ZBrush and how to get the resulting displacement correct in Arnold 5. Understanding why we need to convert and use the tx file generated by Arnold and understanding the purpose of mipmapping texture.
Class 4: More shaders and passes
Creating the shader for the cape, boots and armour with the shader preset in Arnold. Creating the beauty, shadow, and occlusion passes.
Class 5: Finishing touches
Completing the setup of global setting in Maya and rendering the different passes. A CG “slap comp” is also created in Nuke.

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